With this made, which would apply to any framing composition, the center of interests are clearly defined. This means that the horizontal, vertical lines the spaces above, below, to the left and to the right of those lines, and the intersecting lines are where you actors, subjects, or objects should lie on. Here are some examples:
There's a nice video on Youtube that explains this:
But that's not all, there are two other main composition guides. The Golden Rectangle and the Golden Triangles. These provide even more interest to your composition.
The Golden Rectangle which look like this:
The Golden Rectangle is traditionally how all art work (this includes painting, sculptures, architecture...etc) is composed and constructed. The Golden Rectangle or the Divine Rectangle has been around forever. It's in all of nature. I'll go more into the history and the function of the Golden Rectangle later in a drawing tutorial.
But as you can see the Golden Rectangle also creates a spiral than continues forever. But the composition is basically the image above. It is used to have the objects of interest follow the flow of this spiral or fit on the lines created by the Golden Rectangle. Like the image below:
There's a fantastic book called Dream Worlds: Production Design for Animation by Hans Bacher
This book is wonderful. Not only does it have amazing artwork from some of the best Disney animated films, but Hans talks about how to layout and compose a shot. This book has a lot of great insight and information that is invaluable! Get it!!!
There's an unnecessary debate about the Rule of Thirds vs The Golden Rectangle vs The Golden Triangle. Some people argue one is better the others. Others say that the Rule of Thirds is old, lazy, cliché, and should be phased out. This argument is pointless and dumb. The composition you choose should be your choice and effective for your story. If you choose any of the three compositions or come up with your own, and it helps your work, THEN SO BE IT! You decide, but understand that you need to know how composition works, and how to be clear in your storytelling to make the right decision.
So why bother doing any of this. Well for many reasons, but one main reason, and a very important one, is that we naturally move our eyes around things we are looking at. We do not keep our eyes fixed on one spot the whole time. Even if you try to look and stare at single spot you can feel and see your eyes moving around. So knowing this, we can compose our framing to use the entire composition to our advantage and properly tell our story.
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